| Pre-set modes like "Sports" and "Night Portrait" | | | | there will be a larger depth of field. |
| make it easy for us to just point and shoot. If | | | | The reason for the "Priority" in the setting's name |
| you're new to photography, two of the most | | | | is that when you set the aperture, the camera |
| important things to learn are aperture and shutter | | | | does its best to set the shutter speed so that |
| speed settings as these will give you a lot of | | | | the exposure is right (not too dark or too bright). |
| creative control. If you're not sure which cameras | | | | Another way to look at it is, the aperture setting |
| have these types of settings, some compact | | | | will have priority while the shutter speed plays a |
| digital cameras have them but most bridge | | | | secondary role. |
| cameras and all DSLRs have them. | | | | Photography 101 - Introducing Shutter Speed |
| At first it may seem it a little confusing using | | | | While the aperture controls how much light at one |
| manual camera settings, but the improvement in | | | | time falls on the image sensor, the shutter speed |
| the quality of your pictures wil be well worth it. | | | | controls the length of time the camera allows in |
| Photography 101 - Learning About Camera | | | | the light. |
| Aperture | | | | If you've ever seen really old pictures, you'll notice |
| The aperture of a camera works a lot like how | | | | that they are rarely smiling. Shutter speeds used |
| the iris of a person's eye works. Just like your | | | | to be so slow that people would have to remain |
| irises widen or narrow to let in more or less light | | | | very still for several minutes in the early days of |
| through the pupils, the camera's lens diaphragm | | | | photography. No wonder they had such a serious |
| widens or narrows to let in more or less light | | | | look! |
| through the lens. The aperture is the size of this | | | | The shutter speeds most commonly used today |
| lens opening. | | | | are 1/500th of a second to 1/60th of a second. |
| Aperture lets the photographer (or the camera's | | | | The Shutter Priority setting lets you choose |
| exposure computer if it's set to automatic) | | | | speeds (within the camera's range) specifically for |
| increase or reduce the amount of light that gets | | | | the effect you want. |
| through to the sensor, thus helping determine | | | | If you use a shutter speed slower than 1/60, you |
| how bright or dark the picture will be. | | | | should use a tripod or some type of camera |
| The aperture also controls the depth of field of | | | | stabilizer because when the shutter is open that |
| the image. | | | | long, even the slightest jiggle can create fuzzy |
| To get a good idea of what this means, make a | | | | pictures. |
| fist, holding it in front of your eye. Then gradually | | | | To freeze action, set the camera's Shutter |
| open your fist. Notice when the opening in your | | | | Priority to a fast speed, which is what Sports |
| hand is small everything you see is in focus? But | | | | mode does. You can be a lot more selective with |
| when your fist is open wide, the object closest to | | | | this manual type of setting. For example, a dog |
| you is sharper than the background? | | | | sitting quietly will require a shutter speed of |
| A small aperture is good for taking pictures where | | | | around 1/125 in order to freeze the small twitch in |
| you want it all in focus, like a landscape. | | | | the dog's tail. On the flip side, taking pictures at a |
| When you use your camera's Aperture Priority | | | | soccer game may require up to 1/500 to freeze |
| setting you can set the aperture to whatever | | | | fast moving actions. |
| f-stop number you want. These numbers | | | | Using manual settings like Aperture Priority and |
| represent ratios, and the larger the f-stop | | | | Shutter Priority give you more creative control, |
| number, the narrower the aperture. So when the | | | | which means better pictures that you can display |
| f stop setting is larger on your camera, then | | | | on your wall. |