| acob Dahl Jürgensen's work is informed by a | | | | stage and the museum to create a self-reflexive |
| blurred recollection of the histories of Modernist | | | | platform for examining past and present |
| art and design; the social and spiritual ideologies | | | | attempts to live beyond the hegemonic paradigm" |
| and aesthetics underpinning much of the creative | | | | - Michelle Cotton |
| output of the avant-garde but seen through the | | | | Jacob Dahl Jürgensen has exhibited |
| distorting prism of contemporary culture. | | | | internationally, most recently at Galerie Kamm, |
| Jurgensen’s Folly (The Mystical’s Sphere) | | | | Berlin, Foxy Production, New York, and at |
| nods to the futuristic architecture of Tatlin and | | | | Schnittraum, Cologne. He will participate in |
| Fuller; the sparse copper structure standing as a | | | | 'Curacione Geomtricaa', a group show, at The |
| theatrical oracle, emanating a primitive occultism | | | | Reliance in May and a group show at Galerie |
| from the power of low-watt light bulbs.intertwining | | | | Rüdiger Schöttle, Munich, in July. He is |
| recognisable forms and ideologies with fragments | | | | currently exhibiting a collaborative work in Simon |
| of popular culture to create ritualistic monuments | | | | Dybbroe Møller's show 'On Ill Winds and Loss of |
| divining a contemporary spirituality. | | | | Sanity' at westlondonprojects.Jacob Dahl |
| Foxy Production presents recent work by Frank | | | | Jürgensen combines references to avant-garde |
| Hannon, Jacob Dahl Jürgensen and David | | | | aesthetics, esoterica and popular culture. Staged |
| Noonan, three London-based artists who examine | | | | as items reminiscent of an ethnographical |
| interconnections between memory, performance, | | | | collection, his sculptures can be perceived as |
| and ritual. Making the known seem uncanny, they | | | | ritualistic relics from a semi-recognizable civilization. |
| mix references and genres to explore how | | | | In 'Astrolabe' (2005) for instance, a battered |
| common practices and codes can determine | | | | mirror-ball suspended in a constructivist frame is |
| notions of self."Within Jürgensen's theatre of | | | | presented along with other artifacts as a primitive |
| ideas, scientific principles are read in the runes of | | | | astrological device found in an archaeological |
| alchemical experimentation and symbols that refer | | | | excavation. Jürgensen's sculptures function like |
| to mystic cults are mixed with others that mirror | | | | small narratives that create paradoxes and |
| the signs of contemporary, urban society. Quoted | | | | parallels which seem just as obvious as they are |
| and choreographed within a discourse of display, | | | | impossible.what to Do Next... |
| Jürgensen borrows framing devices from the | | | | |