| Each summer, at air shows across the globe, | | | | Even today's sophisticated DSLR metering |
| awestruck spectators enjoy the power and | | | | systems can be tricked by certain situations. |
| precision of aerial demonstration teams and | | | | When exposing a jet against a clear blue summer |
| individual performers. In addition to what is | | | | sky, automatic camera settings will often properly |
| happening in the air, there are often static displays | | | | expose the sky, and leave you with an |
| on the ground. For photographers, these events | | | | underexposed plane. In order to have full control |
| provide outstanding photographic opportunities. | | | | over the camera, I prefer to use the in-camera |
| After you shoot your first air show, you will likely | | | | spot meter along with the manual exposure |
| return each year as I do. The tips below are | | | | mode. Semi automatic modes can be effective as |
| based on my experiences at air shows around | | | | long as you are utilizing your histogram, and |
| the New York area. | | | | making adjustments as needed. Most often, I find |
| Day of the Show | | | | myself around 1/1000th, ISO 400, and f5.6. Of |
| It is recommended that you get to the show at | | | | course, this can change drastically depending on |
| least one hour in advance in order to find parking, | | | | the weather conditions of that particular day. |
| and a shooting location. Air shows can be very | | | | Focus |
| crowded, with numbers reaching into the tens of | | | | Rather than trying to frame the perfect shot, I |
| thousands. By arriving early, you may be able to | | | | like to use a high speed burst mode and fire off |
| set your gear up in a prime area. Generally, the | | | | many frames for each pass. This technique |
| performers enter from the left and right, with | | | | increases the percentage of keepers. Following |
| their stunts done at "show center." A good | | | | high speed objects this way takes some getting |
| viewing spot is important, as it allows you to | | | | used to. Thankfully, most cameras feature |
| focus and track the incoming jets. When possible, | | | | continuous focusing, also known as AI Servo. This |
| I try to pick a place that's in the shade with a full | | | | mode will allow you to continually focus on moving |
| view of the show center. However, many | | | | subjects. To use this feature successfully, keep |
| airports and military bases do not have trees to | | | | your center focusing point over the aircraft with |
| block the sun. To protect yourself from the | | | | your cable release or shutter held halfway down. |
| elements, I strongly urge you to bring sunscreen. | | | | As you follow the plane through your viewfinder, |
| Lens Choices | | | | the camera will automatically adjust the focus as |
| When I photographed my first air show many | | | | the aircraft gets closer. When you are ready to |
| years ago, I used a 28-135mm lens. Yet, unless | | | | make an image, simply press the shutter all the |
| the plane was flying directly above me, I found | | | | way down. Luckily, air show organizers often |
| that much more reach was necessary. Today, I | | | | arrange "photo passes," where the pilot flies at a |
| use a 70-200mm for action that's directly | | | | reduced speed. Don't get too comfortable though, |
| overhead, and a 400mm for tighter shooting. My | | | | they return to full speed after just a few slow |
| camera does not have a full frame sensor, so a | | | | turns. |
| 400mm with a 1.6 crop factor is actually an | | | | Memory |
| effective 640mm lens. Just remember, air shows | | | | With all of this high flying, fast-paced action, you |
| are usually several hours in duration, and longer | | | | will likely go through many memory cards rapidly. |
| lenses can get quite heavy. Image stabilization is a | | | | I bring a portable hard drive with me, and |
| nice feature, but a tripod will give your arms a | | | | download the contents of the card while |
| break and allow you to create sharp images | | | | continuing to shoot. Once I'm sure the images |
| consistently. While the majority of my aviation | | | | have been safely written to the drive, I format |
| work is shot with longer lenses, I find that wide | | | | the card in camera and reuse it. I like to shoot in |
| angle lenses are also useful for performance | | | | RAW format whenever possible. However, if you |
| teams that are spread out in wide formations. By | | | | are short on memory cards, and don't have a |
| utilizing a few different options, you can capture | | | | portable hard drive, you may want to consider |
| more of the action, and will come home with a | | | | shooting in the Large/Fine JPEG format. This will |
| diverse collection of images. | | | | allow you to fit more images on the card than |
| Shutter Speeds | | | | RAW. |
| Attempting to freeze the motion of something | | | | What to Look For |
| traveling over five hundred miles per hour is no | | | | Smoke trails and after burner effects are great |
| easy feat. In order to achieve this, a fast shutter | | | | additions to an aviation image. Be ready for them, |
| speed of around 1/1000 is recommended. Yet, | | | | as they happen quickly. The trails of white smoke |
| like most aspects of photography, there are | | | | are actually created by pumping oil into the |
| exceptions to this. With older planes, a shutter | | | | exhaust pipe. This is particularly interesting when |
| speed of 1/1000 will freeze the propellers. The | | | | used by an entire formation of planes. The |
| effect actually reduces the appearance of motion, | | | | patterns of smoke can be used to make for a |
| and gives the image an unnatural look. To show | | | | more artistic composition. In addition, it adds a bit |
| the movement of the propeller, a shutter speed | | | | of contrast to the otherwise plain blue sky. I also |
| of 1/90 is a good starting point. However, you | | | | look to capture the interaction between two |
| may have to adjust it slightly to 1/60th or slower, | | | | planes. When pilots are flying side by side with |
| depending on the speed of the plane. Of course, | | | | their wings nearly touching, a great deal of tension |
| with these slow shutter speeds you will want to | | | | is introduced to the photo. By freezing this |
| pay close attention to your camera technique to | | | | moment in time you are also showcasing the |
| ensure sharp images. | | | | precision, and skill of the daring pilots. |
| In-Camera Metering | | | | Enjoy the show! |