How to Be a News or Paparazzi Photographer

I'd only been sat outside the church at Althorp35mm film frame. This means your expensive
House for about ten minutes when, out oflenses will be able to work as they were designed
nowhere, several big, serious men appeared,to. Wide-angle lenses will be wide-angle lenses. This
apparently talking to their lapels.is a very, very good thing and, if you can afford
One took-up station by the gate to theit you should do it.
churchyard peering intently into middle-distance,Other considerations are build quality, frame rate,
another hung-back looking towards where theyprocessing speeds and the like, although, to be
had come from and the last, biggest and mosthonest, any higher-level, pro-sumer camera from
serious made a bee-line for me. What was goingCanon or Nikon will be more than a match for
on?95% of the situations you will encounter.
I got out of my car and started to walk towardsYou are going to need at least two bodies; most
the big one, then, behind him, I caught sight ofwork is done with a 28-70mm on one body and
three other people, two of whom were women.the 70-200mm on the other.
This church had suddenly become very busy IA quick word about face-recognition, anti-red eye,
thought.digital zoom, scene recognition and all the other
Then it dawned on me - the men were police on"functions" that are actually gimmicks. You don't
royal protection duties, the three others were Earlneed them or want them; no competent
Charles Spencer, Lady Sarah McCorquodale andphotographer would use them.
their sister, Princess Diana. They were walking upLenses - These is going to be expensive! Without
the hill, Diana carrying her father's ashes to placequestion you need to be able to cover 28mm to
in the family vault at the church.200mm with two fast zooms. By fast, I mean
This was inconvenient; my camera was in thelarge aperture, f/2.8 lenses. They are called fast
boot of my car without film or lens. I ran back tobecause they allow you to use a faster
the car, opened the boot and began to assembleshutter-speed.
my kit.A very fast prime-lens can be invaluable when the
The big, serious man was now moving morelight goes or for portrait work, a macro lens is
quickly towards me. I don't know if thesenice for close-up work or copying pictures and
particular guys carried guns, but they certainlydocuments and a 300mm lens and doubler are
wanted to give me that impression. Handsjust what you need for "secret-squirrel" jobs, but
shaking, I got the film wound onto the spool,they can all wait as long as you have the 28mm
closed the back and stepped-out from behind theto 200mm covered.
car.Top-end lenses have very fast autofocus
As soon as the big men spotted my camera, Isystems nowadays and are really indispensible.
saw them relax. This is obviously what they wereOthers have Vibration Reduction or Image
expecting, so much so that the gentleman whoStabilisation and it works. I have taken tack-sharp
was about to jump on me had stepped back andpictures at 15th second on a hand-held 300mm
cleared the way for me to take my pictures.lens. If you can afford VR or IS lenses, get them.
I got about five frames off on a cheap and nastyThird party lenses by manufacturers such as
Sigma lens on an ancient Canon A1 body. TheSigma and Tamron are worth considering if your
pictures were in every UK national newspaper thebudget is tight. They are good, capable and usable
next day, published around the world and still selllenses, but frankly nowhere near the quality of
now, on occasion.the pro lenses offered by the big two. It really is
For that one hours "work" I made £11000. Iworth spending some money on your glass.
should have made more!You may want to put good quality, coated UV
Sounds like fun, and it is, but it's only a tiny partfilters on your lenses to protect the front
of being a news or paparazzi photographer.element, but otherwise filters are not necessary
As for equipment, it's horses for courses and anyfor this kind of work.
professional photographer will have a number ofYou will need two, high-power flashguns, one for
cameras, lenses, flashguns and bits and bobs thateach body. Most snappers will use the flash units
will allow you to fulfill any likely brief.produced by their camera manufacturer although
A good quality compact camera is always usefulthere are a few good, third-party manufacturers
as a "walking-around" camera and to use on thoseof flashguns. Nikon and Canon both make capable,
occasions when a full-on, pro SLR would draw topowerful flash units that integrate easily with the
much attention or too many questions.camera system and offer many features you will
For the last few years I have been using annever use. Metz is also a very highly regarded
Olympus C7070 wide, although it's probably timeflash manufacturer. These German units are well
to buy something a little more modern now. Imade, high quality items that give Nikon and
chose the Olympus because it has an excellent,Canon a run for their money and are worth
fast lens, good low-light performance and a goodconsidering.
imaging chip. It's a little slow to process theHow often have you heard "hold-on, I'm just
images, the zoom range is minimal and the flashwaiting for the flash to charge-up"? Of course,
isn't great, but it's done a good job over theAngelina and Brad aren't going to wait for your
years and it appears to be indestructible.flash, so what do you do?
One, crucial thing to look for is a good shutterYou use an external power pack. These are
response. A camera that takes the picturepacks containing some electronics and a sealed
half-a-second after you push the release is utterlybattery. I use a Quantum Turbo because it will
useless.work with most flashguns, is very, very rugged
There is no compact with the capabilities of aand will keep my flash going for a whole, busy
good SLR so you will have to compromise. I wasday. It will not keep up if you are shooting very
prepared to forego a little responsiveness to getfast, but for 99% of the time it will re-charge
the lens; you may feel differently so buyyour flash virtually instantly. It will also pay for
accordingly.itself pretty quickly since you will have to buy far
As for SLR's, pro shooters will have several, againfewer expensive, alkaline batteries.
for different occasions and also, crucially, asThe power pack supplies power to the flash
back-up cameras. Nikon and Canon undoubtedlythrough a cable and you should get a spare one
make the best pro, small format SLR cameras,of these because they do break. You will also
and no question. The top-end bodies from theseneed to buy an adapter which will allow you to
manufacturers are fantastic, the quality ispower two flashes from one battery pack.
stunning, they are built like tanks and they are aYou are going to need something to carry this lot
joy to use. They are also very, very expensive,around in, so a bag is essential. For news work,
weigh a ton and, in some situations, they can be athe most important aspect of a bag is how
liability.quickly you can get your gear in and out of it.
As for the pixel count, ask any photographer whoBackpacks are a non-starter as are bags with
sells his pictures and he will tell you that thethick, modular padding.
megapixel count is not everything, indeed it's notI use Domke bags, others prefer Billingham or
even the most important consideration.Lowepro. A tripod and monopod are always
It was less than ten years ago, when digital firstusefully kept in the boot of your car and some
became a serious proposition for newslens cleaning fluid and wipes should be in your bag
photographers, that Nikon introduced theiralong with spare batteries and memory cards,
all-singing Nikon D1 pro-digital camera. This cameranotebook and pen.
is still used today by some pros, and it has aAll this shiny, expensive kit is very nice, but you
measly 2 megapixel imaging chip, less thanhave to know how to use it and what its
virtually all compact cameras today.idiosyncrasies are. You need to take the time to
But this was good enough, as a paparazzo, yourlearn the equipment. A good way of doing this is
images are going to be used in newspapers andto use it at a wedding or school sports day, any
magazines and a pixel count somewhere aroundphotography that requires you to think on your
the 12 million mark will be more than adequate.Afeet and adapt quickly to changes in light and
higher pixel count will allow you to "pull" imagescomposition will help you to understand your
further from within the frame, which can becameras with respect to news and paparazzi
useful but the low-light performance degrades asphotography.
the pixel count rises, causing more problems,So that covers the kit, next is the information,
more often.how do you find out where the news is
Full-frame cameras have an imaging sensor thathappening? I'll cover that in my next article.
is, to all intents and purposes, the same size as a